Such is Erik’s mode for presentation is again unorthodox - but jubilantly fun once again pushing the curated experience of a photographic exhibition. As a show, you're in Alice of Wonderland exaggerated scalee and interactive elements as viewers are invited to walk about this “visual anthropology” of intimate and ambiguous family photos that Kessel’s has collected.

It is an “ode to the vanishing era of the photo album” today we mostly see photographs increasingly as snapshots in exclusively digital spaces. Viewing them as huge wallpaper-like surfaces, the blemishes and scars of their physicality are also enlarged, hinting at the impermanence of the medium but also the personality of such things. And, as portraits and group shots reach human scale, it’s easy to imagine the viewer as part of the sequence of photos.

You don't see so many interesting in the far flung outposts such as Delhi - so it was quiet a breath of fresh air.   There were even quiet a few Indian photo albums on display from 60s and 70s.

"Joanna was born in breach candy hospital today. She looked beautiful" - someone had scribbled text to the picture.